![]() “Our genre is junkyard bop,” explains the frontman. “Can you describe your sound?” Lennox asks every band that she interviews.Ī flurry of other responses pour in: “Experimental indie,” “experimental pop,” “indie folk,” simply “alternative.” For Son of Dribble, the answer is a bit more nuanced. ![]() Though initially met with disinterest, a steady influx of artists eventually agree to be featured on her podcast. Desperate to enmesh herself in Columbus’ robust independent music scene, Lennon decides to start a podcast where she interviews local acts about their creative process. It’s ironic, then, when Lennon resolves that her new pursuit will be a wholly digital one. According to Lennon, analog recordings simply sound superior. She obsessively records these sonic snippets on her phone before manually transferring the recordings onto cassette tapes. A perennial wallflower, she’s constantly tuning into the lively sounds of her surroundings: A cacophony of human chatter, musical artistry and ambient noise. Lennon Gates (newcomer Slyvie Mix) has long harbored an obsession for recording sound. The film’s script (written by Dixon) exudes a palpable adoration for the contemporary musical landscape of Columbus, with several fantastic local acts performing within the film (and comprising most of its principal cast.) A fascinating blend of performance-focused psychodrama and kitchen sink realism, Poser introduces viewers to a regional artistic identity while crafting a narrative that never feels confined to a niche politics of place. The Columbus, Ohio-based filmmakers use their city’s DIY music scene as the backdrop for a neat little thriller that’s totally ingrained in the creative climate it surveys. A thriving artistic community provides cold comfort for an aspiring podcaster in Poser, the feature debut from co-directors Ori Segev and Noah Dixon.
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